EP Review: Lauren Jauregui, ‘In Between’
Lauren Jauregui second solo EP is her best body of work to date.
Album Review: Kesha, ‘Gag Order’
Kesha grapples with the messy intricacies of freedom and healing on her stunning new album.
Album Review: KAYTRANADA & Aminé, ‘KAYTRAMINÉ’
The new joint album from KAYTRANADA and Aminé is a fine project, but it’s one that struggles to fully realize the potential of pair as well-matched as its namesake.
EP Review: Summer Walker, ‘Clear 2: Soft Life’
Summer Walker returns to her soulful Erykah Badu-informed roots on her new EP.
Album Review: Lana Del Rey, ‘Did You Know That There’s A Tunnel Under Ocean Blvd’
Lana Del Rey ups the existentialism on her best full-length effort since 2019.
Album Review: 6LACK, ‘Since I Have A Lover’
6LACK opts for a lighter mood and breezier sound on Since I Have A Lover.
Album Review: Daniel Caesar, ‘Never Enough’
Daniel Caesar’s major label debut album is a well-constructed redemption arc.
Album Review: RAYE, ‘My 21st Century Blues’
RAYE’s debut album is an early contender for the year’s best pop album.
Album Review: Aya Nakamura, ‘DNK’
Aya Nakamura tediously explores love and sex on her Zouk-inflected fourth studio album DNK.
Album Review: Fall Out Boy, ‘So Much (For) Stardust’
Fall Out Boy achieve an admirable return to form with the cinematic So Much (for) Stardust.
Album Review: Labrinth, ‘Ends & Begins’
Labrinth's third studio album features appearances from Zendaya, Billie Eilish, and FINNEAS, and further expands the Brit's freewheeling sonic palette.
Album Review: Chlöe, ‘In Pieces’
Between the generic songwriting and confusing sequencing, Chlöe’s debut album is a bit of a mess. Nonetheless, her promise is undeniable.
Album Review: Paramore, ‘This Is Why’
Paramore delivers yet another fantastic record, this time with musings on the constant trauma of modern living and grittier update to their previous new wave flirtations.