Album Review: Demi Lovato, ‘Holy Fvck’
‘Holy Fvck,’ Demi Lovato’s latest album, is the singer’s most daring offering yet.
Beyoncé Proves Herself Peerless With ‘Renaissance’
It’s only fitting that Beyoncé’s first solo studio album in six years is both a literal rebirth of her past records and an utterly fearless expansion of her core sound.
Album Review: Lizzo, ‘Special’
Lizzo's latest album may not be as strong as 'Cuz I Love You,' but it's still pop music at its most saccharine and pure-hearted.
Album Review: Sabrina Carpenter, ‘Emails I Can’t Send’
A faceless collection of songs that reveals a stark disconnect between Sabrina's vision and execution.
Album Review: Flo Milli, ‘You Still Here, Ho?’
Flo Milli's debut album may not be as consistent as its preceding mixtape, but the Mobile rapper succeeds in solidifying her position in today's rap landscape.
Album Review: Steve Lacy, ‘Gemini Rights’
Steve Lacy flaunts his honeyed falsetto and carnal lyricism on one of the year's best albums.
Album Review: Brent Faiyaz, ‘Wasteland’
An immersive body of work that unequivocally rejects the sophomore slump.
Album Review: Burna Boy, ‘Love, Damini’
Burna Boy secures himself another triumph with his inimitable charisma and valiant attempts at opening up.
Darion Harris Drops ‘Rapunzel’s Renaissance’
The rising star delivers another winning addition to his growing discography.
EP Review: FLO, ‘The Lead’
With their pristine harmonies and effortless charisma, FLO is looking to revive the pop/R&B girl group on both sides of the pond.
Album Review: Giveon, ‘Give Or Take’
Giveon's debut attempts to add nuance to the “toxic lover” trope he previously embodied, but lethargic pacing and drowsy melodies undermine those efforts.
Album Review: Ella Mai, ‘Heart On My Sleeve’
A cohesive effort that features fewer standouts than its predecessor, but showcases a tighter and clearer thematic focus.
Album Review: Drake, ‘Honestly, Nevermind’
Equal parts refreshing and frustrating, but Drake strikes gold enough times to justify the album's existence.
Album Review: Post Malone, ‘Twelve Carat Toothache’
Posty's gloomy new album works best when he's not making half-baked attempts at recreating the glittery pop-rap of his commercial peak
Album Review: Florence + the Machine, ‘Dance Fever’
A joyous record that clobbers you over the head with slow-burning grief to maximize the arrival of euphoria.
Album Review: Fivio Foreign Falls Short With ‘B.I.B.L.E.’
If the goal was to create a dull, easily digestible, and unambitious project, then ‘B.I.B.L.E.’ is a resounding success.
Album Review: Maren Morris, ‘Humble Quest’
Maren Morris’s, the coiner of “insurrection Barbie,” progression continues to feel effortlessly natural on ‘Humble Quest’ — her grief-streaked third studio album grounded by a deep reverence for life and love.
Album Review: Lucky Daye, ‘Candydrip’
At just under an hour, 'Candydrip' drifts through a carefully manicured sonic universe that sometimes veers into monotony.
Album Review: Anitta, ‘Versions of Me’
With her star-studded international debut album, Anitta flexes her versatility, her willingness to take risks, and her innate star power.
Album Review: Harry Styles, ‘Harry’s House’
The dense pressure of Harry wanting to prove himself burdened his first two albums, but he sounds noticeably freer and more at ease on ‘Harry’s House.’